Peter Berg ("Lone Survivor'') serves as an executive producer of this series that features first-person accounts of people who have served on the front lines of the missions carried out by U.S. Special Operations Forces during the War on Terror since 2001. The hourlong episodes tell harrowing tales of the soldiers' triumphs and sacrifices on the battlefields of Afghanistan and Iraq. In addition to first-person storytelling the show uses archival footage and cinematic re-enactments to bring the wartime experience to life for viewers.
Runtime: 60 minutes
Live to Tell - True Blue (Madonna album) - Netflix
True Blue is the third studio album by American singer and songwriter Madonna, released on June 30, 1986, by Sire Records. She co-wrote and co-produced the entire album with Stephen Bray and Patrick Leonard. True Blue deals with her visions of love, work, dreams as well as disappointments, and was inspired by her then husband Sean Penn, to whom Madonna dedicated the album. Musically, the songs on the album took a different direction from her previous endeavours, incorporating classical music in order to engage an older audience who had been skeptical of her music. The album features instrumentation from acoustic guitars, drums, synthesizers and Cuban musical instruments. The topic for the songs range from love, freedom, and in the case of “Papa Don't Preach”, social issues like teenage pregnancy. After its release, True Blue received critical acclaim, with music critics who complimented the album as the archetype of the late 1980s and early 1990s pop albums. They also praised the fact that Madonna's voice sounded stronger than it did on her previous efforts, while commending Madonna's skills as a singer, songwriter and entertainer. True Blue was an immediate global success, reaching number one in then record-breaking 28 countries across the world, including Australia, Canada, France, Germany, the United Kingdom and the United States. It spent 34 consecutive weeks at the top of the European Top 100 Albums chart, longer than any other album in history. It became the world's top-selling album of 1986, as well as the best-selling album of the 1980s by a female artist. With estimated sales of over 25 million copies worldwide, True Blue remains one of the best-selling albums of all time. All five singles released from the album reached the top five on the Billboard Hot 100, with “Live to Tell”, “Papa Don't Preach”, and “Open Your Heart” peaking at number one. The album was promoted on Madonna's second concert tour, the Who's That Girl World Tour, which visited cities of North America, Europe and Asia in 1987. True Blue is credited as being the album which established Madonna's position as the biggest female artist of the 1980s, rivaling male musicians like Michael Jackson and Prince. The album's singles and their accompanying music videos have sparked debates among scholars and social groups. She became the first female artist to receive the Video Vanguard Award at the 1986 MTV Video Music Awards in recognition of her impact on popular culture. The album also gave her first appearance on the Guinness Book of World Records.
Live to Tell - Live performance - Netflix
Prior to the album's release, Madonna premiered “Love Makes the World Go Round” at the 1985 Live Aid concert. The rest of the album's tracks were included on the setlist of her 1987 Who's That Girl World Tour except “Jimmy Jimmy” which remains still the only song from the album Madonna did not perform on any live appearance. It was her second concert tour and promoted True Blue alongside the film project Who's That Girl. It was Madonna's first world tour, reaching Asia, North America and Europe. Musically and technically superior to her previous Virgin Tour, the Who's That Girl tour incorporated multimedia components to make the show more appealing. Madonna trained herself physically with aerobics, jogging and weight-lifting, to cope with the choreography and the dance routines. For the costumes, she collaborated with designer Marlene Stewart, expanding on the idea of bringing her popular video characters to life onstage, reworking scenes from “True Blue”, “Open Your Heart”, “Papa Don't Preach” and “La Isla Bonita”. The stage was huge, with four video screens, multimedia projectors and a flight of stairs in the middle. Leonard became the music director and encouraged Madonna to go with the idea of rearranging her older songs and presenting them in a new format. Madonna named the tour 'Who's That Girl', after looking up at a gigantic image of herself projected on a screen on the stage during rehearsals. The show included song-and-dance routines and theatrics, seven costume changes, and an encore consisting of the title song “Who's That Girl” and “Holiday”. The tour also addressed social causes like AIDS, during “Papa Don't Preach”. Who's That Girl was critically appreciated, with reviewers commenting on the extravagant nature of the concert and complimenting Madonna for her dancing, costume changes and dynamic pacing. Who's That Girl was a commercial success, grossing a total of U.S. $25 million, with Madonna playing in front of 1.5 million people over the course of the tour. According to Pollstar, it was the second top female concert tour of 1987, behind Tina Turner's Break Every Rule Tour. Two concerts from the tour were later released on music video, Who's That Girl: Live in Japan (1987), which was exclusive to the Japanese market and Ciao Italia: Live from Italy (1988) which was released internationally. Taraborrelli commented that “Many female artists behave like a diva for a period when they reach superstar status, and the 'Who's That Girl?' tour marked the beginning of Madonna's.” The tour is also noted for giving rise to the new Madonna persona, a stronger and more intelligent sexual image of her former self which had given rise to the term Madonna wannabe. A statue of Madonna, wearing a conical bra was erected in her name, at the center of the town of Pacentro in Italy, where her ancestors used to live.
Live to Tell - References - Netflix